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  • Yuzen

    Yūzen (友禅) is a kimono dyeing technique that involves painting a pattern on the fabric inside the outlines drawn with a resist paste to prevent the dye areas from mixing together. In Kanazawa, we had the opportunity to learn and practice yūzen with the kind help of artist Hirano Toshiaki (平野利明) at the Yuzen Yomei studio.


    Kaga yūzen — the style of yūzen unique to the historic province of Kaga — is characterized by lifelike designs such as insect-nibbled leaves.

    A kimono with a pastel rainbow pattern covered in leaves
    A kimono with a pattern of many flowers arranged in the shape of a bird with outstretched wings
    A kimono dyed with a geometric pattern of fans
    A bench cover dyed with a pattern of flowers and a large pink koi fish with flowing tail fins
    A white fabric dyed with blue and purple leaves, with marks suggestive of insect nibble marks

    Examples of yūzen displayed at the Kaga Yuzen Kimono Center.

    Although less time-consuming than earlier freehand techniques, yūzen is still a skill-intensive multi-step process. Thankfully, the artisans at Yūzen Yomei made things easy for us by creating and outlining the designs ahead of time, so we only needed to worry about the colouring process.

    The outlines of fish in water drawn in paste and partially coloured in with dye
    Ross and Leah with paintbrushes in hand, concentrating on applying dye to their yūzen pieces

    We are incredibly grateful to Hirano-sensei for welcoming us into the studio. It was a very special experience — the highlight of the entire trip — and I hope to one day return to see them again!

    Ross paints a flower on a large banner

    We were honoured to contribute to a large collaboration piece for a local hospital.

    2024-12-26
  • Every day at five o’clock in the evening, many cities in Japan perform a test of their emergency broadcast systems. To avoid alarming or annoying their residents, the test consists of a pleasant melody to mark the end of the day.

    Here are the melodies from Tōkyō and Kanazawa as I recorded them.

    In Chiyoda, Tōkyō, the melody is the children’s song “Yūyake Koyake” (夕焼小焼)

    In Kanazawa, the melody is the Westminister Quarters.

    2024-12-23
  • A view of trees, towers, and sky from the middle of Tōkyō's Imperial Palace East Garden
    Tōkyō
    2024-12-17
  • Freshly painted origami paper of various colours hang to dry

    I visited the Ochanomizu Origami Kaikan (お茶の水おりがみ会館) as a fun little diversion in Tōkyō. The centre is part shop, part school, and part studio. I got to take some photos of the paper-dying process and took home some supplies that might inspire me to make some more origami soon!


    A closeup showing the texture and rich hue of washi dyed purple
    A stack of dyed washi paper is flattened and compressed

    Paper is dyed a solid colour and then flattened and compressed.

    Origami paper can be dyed, painted, or both depending on the intended pattern. When I visited, the artisan was using a special multi-headed brush to paint green stripes on one side of the paper; the other side had already been painted gold using a very wide, soft brush to achieve a consistent finish. The result is a pattern perfect for folding into snake decorations for the upcoming new year!

    A paintbrush with many heads, used to paint stripes, sits in a pan of green paint
    A large sheet of white paper with newly-painted green and gold stripes
    Large origami snakes and brushes displayed in front of a paper craftsman's work table

    The tools, process, and results of making origami paper.

    2024-12-12
  • A Japanese sign attached to a telephone pole points to a fire hydrant below

    As you might have guessed from an earlier post, I have acquired a minor obsession with the colours of fire hydrants. You can bet I had my eyes peeled in Japan to see how hydrants look there — and the answer was fascinating!


    The first things I noticed in Tōkyō were the round red signs everywhere indicating the presence of a fire hydrant (消火栓)… and a distinct lack of fire hydrants.

    It turns out that hydrants in Japan are generally installed underground except in particularly snow-prone areas. The signs point to the plate on the road or sidewalk that covers the hydrant cap.

    A Japanese fire hydrant sign next to a yellow-bordered manhole cover on the ground
    A fire hydrant cover in Kyōto
    A fire hydrant cover in Kanazawa
    A fire cistern cover in Kanazawa
    A fire hydrant cover in Tōkyō

    Fire hydrant and fire cistern covers in Tōkyō, Kanazawa, and Kyōto.

    Many parks and private property also have fire cisterns (防火水槽) and other water conservancies (消防水利) that store water to fight fires after a major earthquake, when the main water network may be damaged.

    A water conservancy with many water hook-ups for firefighting
    A sign in a park marking a water conservancy with a capacity of 40 cubic meters

    Water conservancies for fire prevention in Tōkyō.

    Hoses, pumps, and other fire suppression equipment are scattered throughout the city so that trained residents and disaster volunteers can use them to suppress fires during a major disaster.1

    A shrine in Kyōto with a fire extinguisher ready in a corner

    A fire extinguisher tucked in the corner of Yasaka Shrine (八坂神社).

    1. Apparently Vancouver has its own neighbourhood volunteer program in its disaster response plans, although it’s not clear whether it’s still active. I’d love to hear more!

    2024-12-10
  • A number pad with 4, 2, 3, 0, 8, 6, 9, 7 , 1, and 5 in that order

    Credit card terminals in Japan are pretty similar to those in Canada — you can use tap (タッチ) or insert your card and enter your PIN to authorize the transaction. But there’s one twist that confused me at first. If you need to enter your PIN on a touchscreen, the numbers on the number pad are displayed in a random order!

    I have no idea if this is unique to Japan or if it’s just new to me, but it does seem like a helpful security feature to ensure that your PIN can’t be guessed later based on the fingerprint smudges on the screen.

    2024-12-06
  • A plastic box adorned with a portrait of Napoleon Bonaparte

    When I stopped by the Nintendo store in Kyōto, I knew I needed to get an product with the company’s oldest mascot on it. No, I don’t mean Mario, Link, Donkey Kong, or even Mr. Game and Watch. I’m talking about… Napoleon Bonaparte?


    If you weren’t aware, the Nintendo corporation is much older than video games. It was originally founded in 1889 (Meiji 22) to produce hanafuda cards (花札) — which it still makes today!

    Five cards from a hanafuda deck

    A hanafuda deck consists of twelve suits of four cards each, all with abstract designs (originally to evade Edo-era anti-gambling laws). The cards are much thicker than western playing cards (トランプ) but are about a third of the size.

    A hanafuda card next to a standard western playing card

    As shown above, Nintendo’s hanafuda come in a box with Napoleon’s portrait on it. That has been the case since at least 1901 (Meiji 34), although the company once had many other brands of cards featuring other historical figures like Saigō Takamori (西鄕 隆盛) and fanciful designs like tengu (天狗).

    A poster displaying many brands of hanafuda cards and western playing cards

    A rare poster listing all of Nintendo’s onetime 1 card brands (Yamazaki Isao/Tofugu)

    It’s not clear why Napoleon was chosen, why he got top billing, or why he remains the face of hanafuda today. One theory suggests it was copied or acquired from an American brand, which in turn may have been named after an English card game, but this is purely conjecture.

    1. Tofugu claims this poster to be from 1890, but I think something must have been lost in translation. The poster can’t be from before 1902, when Nintendo started making western playing cards.

    2024-11-29
  • A stamp with a train, Mt Fuji, and a castle

    While in Japan, I dabbled in the perfect hobby for obsessive-compulsive travellers like myself: stamp collecting!


    All over the country, train stations have distinctive rubber stamps (駅スタンプ) for travellers to mark their stampbooks with to commemorate their journey. These really took off in the 1970s1 when Japanese National Railways installed stamps at 1400 stations as part of its DISCOVER JAPAN campaign.

    Prior to then, stamps were already offered at a handful of individual stations; enthusiasts had been collecting commemorative postmarks since the late Meiji era (1900s-1910s). An even earlier tradition had temples and shrines award stamps called goshuin (御朱印) as a proof of pilgrimage for their devotees.

    With that said, here are the stamps I collected on our recent trip!

    JR West stamps

    I collected four classic stamps from JR West’s stations in Kanazawa and Kyōto.

    The JR West stamp for Kanazawa Station
    The famous rope-supported trees of Kenrokuen

    The stamp for Kanazawa Station (金沢駅) features the rope-supported trees and stone lantern of Kenrokuen (兼六園).

    The JR West stamp for Nijō Station
    The main buildings of Nijō Castle

    The stamp for Nijō Station depicts nearby Nijō Castle, although I was just there for a transfer and didn’t go see it. (Photo: Eric Miraglia/BY-NC-SA)

    The JR West stamp for Umekōji-Kyōtonishi Station
    Children gather around a steam locomotive at the Kyōto Railway Museum

    The stamp for Umekōji-Kyōtonishi Station (梅小路京都西駅) combines elements from the Kyōto Aquarium (which I didn’t visit) and the Kyōto Railway Museum (which I definitely did).

    The JR West stamp for Kyōto Station, its ink barely visible
    Kyōto Tower and the skyline north of Kyōto Station

    The stamp for Kyōto Station (京都駅) has very faint ink from repeated use, but I’m pretty sure it shows the station building, Kyōto Tower (京都タワー), and the Yasaka Pagoda (八坂の塔).

    JR East stamps

    I absolutely love JR East’s refreshed 2020 stamp designs for its Tōkyō stations. Each incorporates one character of the station’s name with some distinctive feature of the surrounding neighbourhood. I collected six stamps from the Yamanote line (山手線) and one from the Chūō line (中央本線).

    JR East stamp for Tōkyō Station
    The exterior of Tōkyō Station

    The stamp for Tōkyō Station (東京駅) uses the character 東 and depicts the station’s architecture.

    JR East stamp for Kanda Station
    Festivalgoers carry a mikoshi (Shinto palanquin) along the Kanda Festival parade route

    The stamp of Kanda Station (神田駅) uses the character 神 and pays tribute to the biannual Kanda Matsuri. (Photo: 江戸村のとくぞう/CC-BY-SA)

    JR East stamp for Akihabara Station
    Akihabara Electric Town at night

    The stamp for Akihabara Station (秋葉原駅) takes some liberties with the character 葉 and is designed like a circuit board in honour of Akihabara Electric Town.

    JR East stamp for Ueno Station
    A version of Hokusai's Under the Great Wave off Kanagawa with a surfing panda

    The stamp for Ueno Station (上野駅) uses the character 野 and features Ueno Zoo’s panda, a ubiquitous mascot of the neighbourhood.

    JR East stamp for Ikebukuro Station
    A pair of topiary owls reading books outside Ikebukuro Station

    The stamp for Ikebukuro Station (池袋駅) uses the character 池 and a neighbourhood pun: Ikebukuro rhymes with fukurō (梟), meaning “owl”.

    JR East stamp for Yurakuchō Station
    The statue of Godzilla outside Toho Cinemas Hibiya

    The stamp for Yūrakuchō Station (有楽町駅) uses the character 楽 and celebrates the surrounding shopping district and movie theatres, including the Toho headquarters.

    The JR East stamp for Ochanomizu Station
    A building houses a bunch of specialty music instrument stores including Guitar Planet

    The stamp for Ochanomizu Station (御茶ノ水駅) uses the character 茶 and has a guitar representing the nearly fifty musical instrument stores within walking distance.

    Tourist stamps (記念スタンプ)

    Train stations aren’t the only places you can get stamps. Tourist information centres at major destinations often have their own stamps for visitors, and even some stores participate in limited-time stamp rallies.

    A stamp from the Nihonbashi Tourist Information Centre
    The Zero Milestone at Nihonbashi

    Nihonbashi (日本橋) is a famous bridge often depicted in art and home to Japan’s zero marker.

    A stamp from the Imperial Palace East National Gardens
    A gate to the Imperial Palace East National Garden

    The Imperial Palace East National Garden (皇居東御苑), unlike the rest of the palace, is open to the public and has a stamp commemorating the date of your visit.

    A stamp from Yoyogi Park
    Trees in Yoyogi Park

    Yoyogi Park (代々木公園) is a quiet oasis in the middle of the big city. The pond and fountains depicted on its stamp were under maintenance when we visited.

    A stamp from Kenrokuen
    A stamp commemorating the 150th anniversary of Kenrokuen

    If you’re counting, I collected three separate stamps related to Kenrokuen.

    A stamp from Kanazawa Castle
    Part of Kanazawa Castle overlooking a moat

    Kanazawa Castle (金沢城) is right across the street from Kenrokuen.

    A stamp from Character Street
    Ross posing in front of Chiikawa characters on a wall on Character Street

    The Koupenchan (コウペンちゃん) store on Character Street had a stamp too!

    Goshuin

    Stamp collecting in Japan is at least informed by, if not directly descended from, the practice of receiving goshuin (御朱印) on a pilgrimage to a temple or shrine. Conversely, goshuin were influenced by the success of stamp collecting: many sects offer them to collectors and other travellers for a small donation, regardless of faith.

    I had one goshuin entered into my stampbook at Honnōji (本能寺) in Kyōto.

    A goshuin from Honno-ji

    The goshuin commemorating my visit to Honnōji on November 16 of the sixth year of Reiwa.

    1. A Kyōto Railway Museum exhibit says the DISCOVER JAPAN stamps were installed in 1965, but I think it means the decade beginning in 1965 (the Shōwa 40s). Other sources confirm that DISCOVER JAPAN campaign kicked off in October 1970.

    2024-11-25
  • Torii gates overlooking the city of Kyoto

    Leah and I are back from a three-week trip to Japan! It was my first trip to the country, and only my second time away from North America. Over the next few months, you can expect plenty of posts with photos, observations, and souvenirs from the trip.

    For now, here’s an overview of our itinerary and some initial thoughts of how it went.


    Tōkyō (東京)

    People cross a narrowish street in Tokyo in front of several shops built under train tracks

    Restaurants under the train tracks near Ginza.

    We started the trip with four full days in Tōkyō. I was worried I’d be totally overwhelmed, but I was pleasantly surprised by how manageable it was. Part of that was location: our hotel in the centrally-located but less hectic neighbourhood around Ōtemachi (大手町) and Kanda (神田) provided a home base for us to retreat to.

    But even the busiest areas of Shibuya (渋谷), Ginza (銀座), and Ikebukuro (池袋) were not as bad as I expected. It turns out that thousands of pedestrians and tens of vehicles is not much more of a sensory overload than an urban experience with hundreds of each.

    We mostly stuck to the central core of Tōkyō within the Yamanote Line (JY 山手線) and took advantage of our central location on several metro lines:

    • Marunouchi (Ⓜ 丸ノ内線)
    • Ginza (Ⓖ 銀座線)
    • Hanzōmon (Ⓩ 半蔵門線)
    • Chiyoda (Ⓒ 千代田線)
    • Tōzai (Ⓣ 東西線)

    I’m very glad I studied the geography and metro lines of Tōkyō before I left!

    Locations we visited in Tōkyō.


    Kanazawa (金沢)

    A wooden bridge spans a river, with autumn leaves in the background

    The wooden bridge to Higashi Chaya (東茶屋) and Utatsuyama (卯辰山).

    After we had our fill of Tōkyō, we took the Hokuriku Shinkansen (北陸新幹線) to Kanazawa, the capital of Ishikawa Prefecture (石川県) on the coast of the Sea of Japan. The city is home to roughly half a million people and many traditional arts and crafts dating from the Edo era.

    In our three days in Kanazawa, we stayed in the historic Higashiyama (東山) teahouse district and took a bunch of craft workshops I’ll cover in future posts.

    Locations we visited in Kanazawa.


    Kyōto (京都)

    A crowd of tourists passes through one of the torii gates of Fushimi Inari shrine

    One of the many torii gates of Fushimi Inari-taisha (伏見稲荷大社).

    The final leg of our trip was five days in Kyōto. The cultural capital is home to lots of historic landmarks and is ground zero for Japan’s challenges for overtourism. Our itinerary was focused more on Kyōto’s traditional crafts than the major tourist destinations, and it became even more so as we adjusted our plans to account for travel fatigue.

    With hindsight, it would have been better to plan a slightly shorter trip and stay somewhere on the Karasuma subway line (烏丸線) rather than the tourist-heavy Gion district (祇園), but we still had a very nice time.

    The highlight of Kyōto for me was definitely the railway museum — more on that in a future post.

    Locations we visited in Kyōto.


    Food

    It is cliché to talk about all the amazing food one eats on a trip, but this has historically been challenging for me since I have a bit of a fragile stomach.1 Fortunately, Japan is full of food that is tasty and easy on the stomach, so our trip was both gastronomically and gastrointestinally satisfying!

    Our favourite go-to meals were cold soba (そば) for Leah and unajū (鰻重) for me, although we also had excellent yakitori (焼き鳥), okonomiyaki (お好み焼き), oyakodon (親子丼), shrimp omurice (オムライス), and grilled salmon teishoku (鮭定食).2 I definitely missed my daily serving of peanut butter, but Japan’s famously incredible convenience stores (コンビニ) made up for it by providing snacks and reasonable emergency meals.

    Language

    A wall covered in kanji

    A wall from the Japan Kanji Museum and Library.

    It’s been a hot minute since I studied Japanese in university, but I was very thankful for my basic vocabulary and ability to read hiragana, katakana, and a handful of kanji. I’m sure it’s possible to visit Japan without knowing any of the language — million of tourists do it every month — but language was so core to our experience that I have a hard time imagining it.

    Multilingual signage can be found everywhere at major attractions, in many restaurants, and on public transportation.3 But it’s a lot more efficient to be able to read and listen for directions in multiple languages, especially in smaller places where the English versions might be slightly dubious.4

    I was surprised at how much value I got just from having a working knowledge of katakana. Japanese has a lot of English loanwords, to the point that you can navigate many stores just by sounding things out. At a drugstore, you might see my lips move as I read スキンクリーム as su-ki-n-ku-ri-i-mu — oh, this is skin cream!

    People were universally very complimentary of our Japanese skills — not because we were any good, necessarily, but because we were showing consideration by putting in the effort. And they were more than willing to meet us halfway by simplifying their own speech, dropping in English words they knew, and being patient with us. There were a few very special interactions and experiences we were able to have in Japanese, and I’m very grateful to everyone we met for accommodating us.

    Back home

    We had a wonderful trip, but it’s great to be back home in our own bed with our cat and our routine. I’m sure we’ll be back one day, although it might take a few years to work up the energy for another trip of that length. Until then, I hope you’ll excuse me using this website to look back on my experiences for the next little while!

    1. This goes double for Leah, who has Crohn’s.

    2. Train stops are also helpfully numbered for those who have trouble remembering Japanese place names.

    3. The worst were bus announcements in Kanazawa, whose English-language AI voice mangles the pronunciation of Japanese place names so badly that it’s useless for identifying your stop.

    2024-11-22
  • A wide-angle view of T-Mobile Stadium's baseball diamond, taken from the stands behind first base

    I recently attended a Seattle Mariners game as part of a Microsoft event. It was my first time at a baseball game, so I recorded a bunch of observations about the experience.


    The stadium experience

    This was my first time attending any professional sport in person, so I didn’t have any idea what to expect. I checked the stadium rules in advance and found I could bring my camera, but not my camera bag or any of my larger lenses. Fortunately, my wide-angle lens and 20–55mm kit lens — both barely within the regulations — were enough to get some interesting photos.

    A big part of the ballpark experience is being able to wander around the stadium; I spent at least half the game exploring rather than sitting in my assigned seat. There’s a lot to look at and do in the stadium, and as long as you’re not blocking anyone’s view during an at-bat, there’s remarkable freedom to walk around the aisles and see the field from different angles.

    The Kansas City Royals' relief pitchers watch the game from the bullpen
    A top-down view of the baseball diamond from the stadium's upper level above first base
    T-Mobile Park's retractable roof hangs over the railway tracks next to the stadium
    One of the Seattle Mariners' relief pitchers stretches his legs in the bullpen
    A view of the bullpens and left field seats from the center field upper level
    Umpire Sean Barber and Kansas City first baseman Vinnie Pasquantino get into position before the bottom of the inning

    Baseball is complicated

    Many of the Microsoft employees at the game — including myself — are more familiar with cricket than with baseball. Cricket has a reputation in North America for being hard to understand, but when I compare my beginner’s guide to cricket with our deliberations our section had to understand what was going on, I realized that baseball is much more complicated.

    The jumbotron at T-Mobile Field shows the current score, batting lineups, and a bunch of statistics for the current batter
    The jumbotron at T-Mobile Park cryptically announces an official scoring decision: FC, E5, No RBI

    Can you decipher these scoreboards?

    Answer key (bottom section)

    Balls, strikes, and outs are fundamental to the game, relatively easy to explain to a newcomer, and mercifully unabbreviated on the bottom right of the scoreboard.

    Each team’s current score is the total number of runs under the “R” column; columns 1–9 show how many runs were scored in each inning. The “H” column counts the number of hits resulting on a runner on base due to the batting team’s efforts; the “E” column counts the number of errors by the fielding team that allowed their opponent to get a runner on base.

    I had no idea what the acronym “MVR” stood for until a colleague expanded it to “mound visits remaining”; this refers to a kind of time out the fielding team can take to discuss strategy or switch pitchers.

    Answer key (side sections)

    The sides of the scoreboard display the current lineup of each team with jersey numbers and positions; the highlighted name tells you whose turn it is to bat. The batting lineup shows one other piece of information for each player:

    • For players that have not yet batted in the inning, it shows the batting average.
    • For players that have batted already in the inning, it shows a cryptic acronym that tells you the result of their at-bat.
    • For pitchers (who do not bat), I think it shows the pitcher’s earned runs average (ERA) which is its own whole thing.

    On the right-hand side of the first scoreboard, we see that the name highlighted in yellow is the current batter, Seattle’s Dominic Canzone, who wears number 8 on his jersey, plays left field, and has a batting average of .219.

    The three Seattle players above Canzone have already batted this inning. Center fielder Raleigh had a single (recorded as “1B”), as did right fielder Raley. First baseman France is listed as having a “P3” which is apparently the acronym for “out after hitting a pop fly which was caught by the first baseman.”

    Answer key (middle section, first scoreboard)

    The middle of the first scoreboard shows the statistics of the current batter. I had to look up most of the stats on Wikipedia:

    AbbrValueStatMeaning
    G15GamesNumber of games the batter has played in this year.
    AB32At-batsNumber of opportunities the batter had to bat, more or less, except that walks and some other outcomes don’t count towards this statistic.
    2B1DoublesNumber of hits on which the batter was able to safely reach second base.
    3B0TriplesNumber of hits on which the batter was able to safely reach third base.
    BB3Bases on ballsNumber of times the batter was awarded first base after four called balls. (Better known as “walks”.)
    SO11StrikeoutsNumber of times the batter was called out after three strikes.
    SB0Stolen basesNumber of times the player was able to steal a base. There are a bunch of rules about when a runner can steal a base and when something is scored under this statistic.
    CS0Caught stealingNumber of times the player was tagged out while attempting to steal a base.
    AVG.219Batting averagePercentage of at-bats where the batter hit the ball and safely reached a base.
    R4RunsNumber of times the batter scored a run by crossing home plate.
    H7HitsNumber of times the batter hit the ball and safely reached a base.
    HR3Home runsNumber of hits on which the batter was able to safely touch all three bases and cross home plate. (Usually by hitting the ball into the crowd.)
    RBI6Runs batted inNumber of times the batter’s action allowed another player to score a run.
    OBP.286On-base percentagePercentage of the time the batter gets on base, including being awarded first base for a walk or being hit by a pitch.
    SLG.531Slugging percentageAverage number of bases achieved per at-bat.
    OPS.817On-base plus sluggingOBP plus SLG, for some reason.
    Answer key (scoring decision, second scoreboard)

    Now we just need to figure out what “FC, E5, No RBI” is supposed to mean. This was displayed on the jumbotron after the following play:

    “FC” stands for “fielder’s choice”, meaning that the third baseman chose to try to get the out at third instead of throwing it to first. This means the hit doesn’t count towards the batter’s statistics. The “E5” means the scorer decided that the Seattle players were safe because of the third baseman’s error.

    Finally, the run that scored during the play does not count as an RBI for the batter because if it weren’t for the error, there would have been three outs and the runner wouldn’t have scored.

    Seriously, baseball is complicated.1

    Spot the camera

    Before I came to the game I watched a video about camera assignments at professional baseball games and I had fun finding the camera operators at high first, low first, and center field.

    Two camera operators stand on a fenced-in platform above the center-field wall and point their cameras at the pitcher and batter

    The camera operators at center field are responsible for filming each pitch.

    I was walking around the concourse when the Mariners’ Ty France hit a home run. While the crowed erupted in cheers, I was excited for a different reason — I was in the perfect position to watch the cable-suspended camera move into position behind third base and film the runner crossing home plate!

    A mobile camera hanging from a pair of cables follows a Seattle Mariners baseball player jogging towards third base

    The cable operated camera follows the batter along the third base line after a home run.

    Random people keep the ball rolling

    To me, no sport is as compelling as all the logistics and anonymous work that goes on behind the scenes. For example, T-Mobile Park still has an analog scoreboard in addition to all the digital ones, which means someone has to be in charge of updating it.

    A young, bored-looking person sits on a chair and rests their arms on the stadium scoreboard

    Every time a player gets on base, their team’s batboy runs out to pick up their discarded bat and help switch their gloves. The home team’s batboy is also responsible for refilling the umpire’s stock of extra balls, which happens a lot — MLB teams go through about a hundred balls in a game!

    The Kansas City Royals' Freddy Fermin hands his batting gloves to his team's batboy
    The Seattle Mariners' batboy jogs back to the dugout after supplying the home plate umpire with a half-dozen new balls

    The most exciting piece of logistics came between innings, when an army of men with rakes came out to smooth the base paths.

    People with large rakes smooth out the dirt between first and second base

    Take me out to the ball game?

    I’m never going to be a person who regularly attends live sports: it’s too crowded, too noisy, and I don’t care enough about the action happening on the field. But I’m really glad to have gone once. It was a lot of fun to explore the stadium and see a few glimpses of what goes in to putting on a baseball game. Thanks Microsoft for bringing me to a fun event!

    Three Kansas City baseball players sit down in center field
    1. Even the basic concept of balls and strikes is not straightforward to explain. “A strike is when the ball passes over the plate between the batter’s knees and shoulders and the batter doesn’t hit it; or when the batter swings and misses, regardless of where the ball is; or when the batter hits the ball behind the foul lines, except a foul ball doesn’t count for strike three.”

    2024-05-16
© 2007–2025 Ross Churchley